All we have done over the last 10 years at Lost Boys is to teach students how to perform this magic trick without getting caught. There is no hiding in photo-realism, if it does not look photo-real then it isn’t real. Through a unique and iterative workflow, students are taught how to learn to composite photo-real images. It gives the students a framework for understanding Visual Effects. This Compositing Program, the first of its kind in the world was designed to teach students about these realities. The Physical Reality, the real world the Photographic Reality, the reality that is captured by the camera the Perceptual Reality, how you perceive the world the Imagined Reality, how you imagine reality to be the Expected Reality, how your leads, supervisors, and directors want it to be and the Approximate Reality, how the computer mathematically creates a virtual reality. The Compositor combines elements filmed during production with Computer Generated Imagery (CGI) created by other artists to blend them together seamlessly. They match each layer in terms of light and shadow, color and grading, perspective, and depth, while also ensuring each shot maintains continuity within its sequence. At the same time, it is the role that interests me the most and I am trying to reach this position in the future. VFX compositors seamlessly integrate CG assets, matte paintings, and live-action footage to make a single moving image, known as a shot. This is by far the most difficult role to get and will not be possible at the beginning of my professional career. To create this effect, we have to observe reality and then replicate it.Īnd there is not just one reality an artist has to deal with. This position combines/draws from all the roles I have explored before. The vast majority of VFX that appear in modern films and television are “invisible effects,” which means that ideally the audience has no idea they’re watching something that’s either been digitally altered or is completely synthetic. What does a compositor do Compositors create the final image of a frame, shot or VFX sequence.
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